Looks Pretty Good To Me...

there is a number of small things /

Friday, June 29, 2007

Saw the Sicko movie. Hope I never get sick in the U.S. it is too much of a liability.

I am reading the book The Remains of the Day.

Noah Cicero's book is written with a sort of intensity I am not accostomed to. It is philosophical, but in a very essential way, like the philosophy is more of the essence of him than something that has been intellectually cultivated. Lines in the book remind me of an amateur gunslinger taking aim at your heart and preparing to fire.

The book is what happens in the gunslinger's mind as he lines his sights.

Calm, kind of.

And if you breathe the wrong way, or if you breathe at all, you miss.

I hope this chinatown bus is straight tomorrow morning, that nothing gets fucked up.

Thursday, June 28, 2007

Poetry reading

I saw Noah Cicero and Tao Lin read tonight, along with many others from the 3:Am poetry magazine. They were all interesting and different. I bought Noah's book and I am going to read it tonight. Ok.

I am going to Boston this weekend--to drink a lot of beer and walk up Beacon Hill. I am reading the Harvard Design School's Guide to Shopping, which is edited by a guy named Rem Koolhaas who designs stores for Prada. The book is about how the modern urban experience is indistinguishable from the experience of shopping, and how in the near future there will be few public activities for people to perform besides shopping.

New York is like this. You walk through Soho, and I don't care how many small cafe's and galleries there are, it is basically a shopping conglomeration comprised of like 4 different corporations vying for customer appeal with their various brand names (Gap, Club Monaco, whatever). Walking around Soho, or up fifth avenue, or even through neighborhoods like Chelsea and the Meatpacking District, all one is capable of doing, really, is shopping. The non-retail buildings are all severly off-limits--accounting firms for the super-consumers or legal offices--and the fundamental properties of the shopping zones, which fluctuate based on customer needs, are impermanent and volatile. Stores close, stores change, stores maintain brand homogenaity while shifting product lines, but at the end of the day the modern urban experience is really based on the transitive yet singular properties of modern-day marketing.

Architecture and retail are basically opposites. Architecture is firm, atemporal, permanent, fixed, while retail demands constant and vigilant modifications. It exists to give the person a singular experience, and yet different architecture yields different experience. Stores incorporate various design elements, and even the occasional set-piece, stores ultimately present themselves as white spaces capable of being shifted at a moments notice. They are always changing. However, despite the plasticity of the store, all stores yield the same experience. Walking through a store is, in a way, comparable to walking through an art gallery. Most art galleries are made to show of the paintings in as invisible a manner as possible.

But retail is hardly in the business of engaging its customers intellectually with its products. I do not mean that clothing design lacks expression; I mean that the ideal manner of manipulating a consumer in a retail environment is to get the person to forget who he is, forget the outside world, forget what he is looking at, and ultimately to forget and ignore his conscious rational thought process as he purchases the product based on the subconscious scripts of how one acts in a store. Every retail experience is the same experience, despite the malleability of the medium. Architecture, the ultimate static art-object--it can't be moved or taken out of its context-- derives its potency by ensuring each architectural experience is different.

Walking into any store, from Armani to J.C. Penny, a person experiences essentially the same phenomenon. Basically, one is coerced, through a lack of stimulus, to make the purchase. Think about it: the background music is made not to be listened to, the air temperature is calibrated to make a person forget that the store is, shockingly, located somewhere on earth that has weather, the various passages through the store are easily traversed and fairly seamless, and the final act of purchasing, ideally with a credit card, should have as few hitches as possible. The ultimate non-experience.

This is why malls, and ultimately urban retail centers, die; retail works wonders so long as people are drawn to the location; as soon as boredom sets is, there goes the neighborhood. Furthermore, any modifications on the part of the stores are geared towards engaging a person only in a manner which is condusive to mindless purchasing.

Which is why New York, a city replete with stores and little else, kind of loses its allure for me. Unlike western European cities, which limit retail space and hours within a city, New York, and most American cities are idealized versions of the free market--that is, they are basically one giant marketplace. Which is a big fucking bore.

This will hurt American cities. New York's biggest tourist attraction is Times Square. Apart from the Broadway shows, most of the things people want to do on Times Square relate to shopping. Let's go to the M&M factory. Let's go to Toy's R Us. Let's go to that store with the gigantic stuffed bears. These are not experiences, however, in the vein of the Eiffel Tower, or the Empire State Building, or the Tower of London. These are carefully calibrated consumer non-experiences; they function to create that sense of wonder, sure, but at the end of the day, stores are itching for a sale. Therefore, they must continuously modify themselves to achieve their capitalist imperative of generating profit. In a city built from the connectivity of retail outlets, one essentially experiences the detritus of urbanity, the aspects of city life (short blocks, wide sidewalks, the sensation of being surrounded by buildings) that lend themselves to a more effective shopping experience.

These stores are not New York experiences, they are simply the best of the best retail experiences. Most people probably get all this. But considering that one of the principle manners of urban renewal is to bring a lot of retail into a city to bring the rich folks back to the streets, I am worried that America is setting itself up for more problems. Urbanity now equals shopping. And what does shopping equal? The quote I took from Koolhaas's guide and put in the heading of my last poem is the best summary: when you walk around a place of absolute vernacular integrity, where people are also shopping, you think of Disney World.


Ok. More Songs about Buildings and Food.

Tuesday, June 26, 2007

Publication

Got some stuff on Opium. Don't know when. Hmmm.

"when we come upon a place of absolute vernacular integrity, where people are also buying things...we are reminded of Disneyland"

the quilts of Gee's Bend, the afternoon sunbeamed fork of your country tits,
the natural miles of dirt roads, the windows opened by pipe bombs, cows lowing
“good afternoon Charlie Pride, pork on buttered toasted white bread,
hello highway 85, venture capital on Dawes Road, a house expanded 185 times itself.”

the intensity of Martha Stewart, walking like a velociraptor across the dome
of a Hudson River penthouse—“please let me carry your triple tiered platters
of venison steaks and soybeans and sushi rolls, and please, let me feed you
your sushi—your pressed orange juice sloshes out of their goblets, but I am dashing.”

across the terrazzo, looking down onto the black streets and thinking
of the wings of a black swan, the lights of the cars and the gentle hum
of the air-conditioning units hang along the sides of buildings like Cleveland
mayflies, in powder grain and the barrels of husks we carried. the aristocratic swatting off

of our bodies, flowers of cabbage in a low field, we dance on a coffee table
in our cowboy boots, drifting magnolia fruits in a desperation blue willow bowl.
dear wallowing bird-flute, brute quilts hung in the windows of Alabama,
the cozy white feel of a cup filled to the edge with spice smells,

the mutability of the senses, the cloying choke of apple butter, the various truths
of what you are missing or forget having, I’ve seen it happen in other people’s lives.
I learned I never wanted to use my hands across the skeleton waistline of Canada,
or the tethered buck-wild flesh of a bullcock, I have cut everything out,

and remember, though the smell of the evening faintly like pancakes or bacon simmers,
the night like the savage Martha Stewart’s wild smile remembers,
and it is waiting, on all fours, houndishly, its breath is your corpse unwinding itself,
it is a bloodfreak, it is peeling itself open, it is unleashing itself, it is against you.